Maire Gullichsen Ahlström In Society
Professor Maire Gullichsen (née Ahlström) made significant contributions to the promotion of Finnish visual arts, design, and architecture. She was a visionary and a driving force behind several key institutions: the design shop Artek, the Free Art School, the Modern Arts Association, and Galerie Artek. Each of these organizations played a crucial role in the rise of Modernism in Finland. Artek, established in 1935 by Maire Gullichsen in collaboration with Aino and Alvar Aalto, was created to sell furniture designed by Alvar Aalto. The concept behind Artek was to merge art with technology and science, and it also hosted art exhibitions. The same year, the Free Art School was founded, drawing on international modern art influences.
Maire Gullichsen co-founded and studied at this school. Together with Maire and Harry Gullichsen, Aino and Alvar Aalto designed some of Finland’s most renowned modern architectural and design works. These include Villa Mairea, the Gullichsens’ home in Noormarkku, as well as industrial and residential buildings for Ahlström Ltd in Sunila, Varkaus, and Kauttua. Notable design pieces from this collaboration include the iconic Savoy vase, which remains in production. The Modern Arts Association was founded in 1939, with Maire Gullichsen organizing contemporary art exhibitions in Helsinki. Noteworthy exhibitions that advanced abstract art and Constructivism included the 1952 Klar Form exhibition and various shows at Galerie Artek, which was established in 1950.
From the 1960s onward, Maire Gullichsen was instrumental in efforts to establish a modern art museum in Pori. The Pori Art Museum, founded in 1981, houses the Finnish art collections of the Maire Gullichsen Art Foundation. In the same year, Maire Gullichsen was awarded the title of professor. Maire Eva Johanna Gullichsen (née Ahlström, later known as Gullichsen-Nyströmer, 24 June 1907, Porin maalaiskunta – 9 July 1990, Pori) was a Finnish art collector and patron. She was a co-founder of the Artek furniture company. Pori Art Museum is based on Gullichsen's art collection.
Gullichsen was the daughter of Finnish businessman Walter Ahlström. Gullichsen's grandfather was Antti Ahlström, one of Finland's most influential and wealthiest 19th century businessman. She studied art in Helsinki and in Paris between 1925 and 1928 and got married in 1928 to Harry Gullichsen, a Finnish director of Norwegian descent working at the Ahlstrom company. Maire and Harry Gullichsen were supporters and keen lovers of modern art as well as applied arts and architecture.[1] In 1935 Gullichsen established the Free Art School, a private art school in Helsinki, where she also was a student. She was also one of the founders of Artek, along with architects Alvar and Aino Aalto and art historian Nils-Gustav Hahl.
One of Alvar Aalto's most important works is Villa Mairea in Noormarkku, designed for Harry and Maire Gullichsen in 1938. Today it is one of the internationally best-known architectural sights in Finland. One of the key rooms of the house is Maire Gullichsen's private painting studio on the upper floor, with a view over the main approach to the house. During her late years Gullichsen was intent on establishing an art museum in Pori. It was finally inaugurated in 1979.[1][2] Maire and Harry Gullichsen (1902–1954) had four children.
The eldest, Harriet (born 1929), died young,[3] Kristian Gullichsen (1932–2021) was a well-known architect, Johan Gullichsen (born 1936) is a professor and a former Olympic sailor, and Lilli Alanen (1941–2021) was a philosopher and... Maire Gullichsen married Captain Bertil C. Nyströmer in 1969. Maire Gullichsen was also the grandmother of painter and sculptor Alvar Gullichsen. Professor Maire Gullichsen (née Ahlström) accomplished a magnificent life’s work in promoting the Finnish visual arts, design art and architecture. She was the visionary, the catalyst and the central force behind the design art shop Artek, the Free Art School, the Modern Arts Association and the Galerie Artek.
All these four organisations contributed to the breakthrough of Modernism in Finland. The design art shop Artek was established in 1935 by Maire Gullichsen in cooperation with Aino and Alvar Aalto to sell furniture designed by Alvar Aalto. The underlying idea was to combine art with technology and science. Accordingly, art exhibitions were also held at the premises of Artek. The Free Art School was also founded in 1935. This school of modern art drew from international influences.
Maire Gullichsen was a cofounder of this school, and she also studied there. In cooperation with Maire and Harry Gullichsen, Aino and Alvar Aalto were able to create some real gems of modern Finnish architecture and design art, which are among the best known in Finland. They include Villa Mairea (built in 1939), the Gullichsens’ residence in Noormarkku, which was also used as their reception rooms, the industrial premises and the residential buildings of Ahlström Ltd in Sunila, Varkaus and... The Modern Arts Association came into being in 1939; as a representative of this association, Maire Gullichsen took part in organising exhibitions of contemporary art in Helsinki. Some of the art exhibitions which contributed most to the breakthrough of abstract art and especially Constructivism were the Klar Form exhibition, held in 1952, and the exhibitions held in Galerie Artek, founded in... From the 1960s onwards, Maire Gullichsen was actively involved in the efforts to establish a museum of modern art in Pori.
The Pori Art Museum was founded in 1981 and took over the Finnish art collections of an art foundation named after Maire Gullichsen. The same year, Maire Gullichsen was conferred the degree of professor. Few have have had the same impact on design and the arts as Maire Gullichsen, born Ahlström in 1907 in Pori, Finland. Although she made few designs herself, her contributions through the renowned company Artek and personal patron initiatives greatly impacted the development of the Nordic design scene. Gullichsen was born into the Ahlström family, one of Finland’s most influential and wealthiest industrial conglomerates. She studied art both in Helsinki and in Paris between 1925 and 1928 and married Harry Gullichsen that same year.
They shared a mutual love for modern art as well as applied arts and architecture and it would result in several initiatives and eventually the Pori Art Museum in 1979, where their collection is... Gullichsen (together with Ethel Thesleff, Irja Noponen and Saara Castrén) established the Free Art School in 1934, a private school in Helsinki where she also enrolled. The Finnish art scene had stagnated in the 1930s due to nationalistic values and the aim of the Free Art School was to introduce European modernism influences. The following year she founded Artek, together with architects Alvar and Aino Aalto as well as art historian Nils-Gustav Hahl. Artek’s innovative furniture designs and new approach to interior decoration would over time prove to be strong combination as the modern society developed and craved new and practical furnishing solutions. The Aaltoes and the Gullichsens would a few years later work together on crafting one of the most world’s best known architectural creations, Villa Mairea.
Maire Gullichsen designed a few items herself, a series of tumblers and pitchers, a cheese-dish cover as well as a table lamp in glass. The lives of two powerful women intertwine in the development of Finnish art and culture. The life’s work of Tove Jansson and Maire Gullichsen exemplifies courage, perseverance, and creativity at a time when women’s position in the world of art and culture was fraught with challenges. Minna Canth Day, also known as Equality Day in Finland and celebrated on March 19th, is a fitting occasion to explore the intersection of Tove Jansson’s and Maire Gullichsen’s lives. Their work was united by a desire to break down boundaries — both artistic and social. They shattered the glass ceilings of their time, paving the way for future generations.
While studying in Helsinki in the 1930s, Tove Jansson was part of a generation of internationalist modernists. Her artistic language developed into a distinctive style. Though never strictly associated with the Abstract movement, she drew inspiration from European Modernism and forged her own unique way of combining narrative and artistic expression. Read more about Jansson’s versatility as an artist here. Maire Gullichsen (1907–1990) was a key figure in Finnish modernism. More than just a patron of the arts and a founding member of Artek, she played an active role in bringing international art to Finland.
In 1935, she co-founded Artek as a hub for contemporary art. The name Artek is derived from the words art and technology. Today, Artek is renowned for its furniture, lighting, and interior design products, created by Finnish masters and leading international designers. Gullichsen played a crucial role in bringing modernist art to Finland, organizing exhibitions featuring masters such as Fernand Léger and Alexander Calder. Her vision of integrating art, design, and architecture continues to have a lasting impact. She also founded the Free Art School, where Tove Jansson honed her skills by drawing live models and deepening her artistic expression.
Antti Ahlström purchased Noormarkku Works in 1870. Harry Gullichsen became the head of the company in early 1930's after his father-in-law Walter Ahlström, who was Antti's son. At the time Ahlström was one of the largest industrial companies in Finland. During three generations, the Ahlström family built three residential buildings in the Works area, Isotalo, Havulinna and Villa Mairea, and also a number of other buildings, such as the head office, Club and houses... Industrial activity in the area has ended but the buildings like the old sawmill and forge remain. Noormarkku Works remains in the ownership of the Ahlström family.
The executed design for Villa Mairea was a refinement of a series of projects which had evolved around a few basic ideas: a courtyard differentiated from the natural pine forest of the site, a... The architectural style of the preceding projects follows the standard line of the Modern Movement whereas the final design turns into a very personal credo and, as it were, a mocking criticism of the... The foundation work had already begun at the site on the basis of a design dated early 1938 when Aalto, dissatisfied with the design, suddenly and hurriedly produced a new project which he persuaded... At last the design seemed to satisfy Aalto’s aspirations for the articulation of the various functions of living and the integration of art collections with the pattern of daily life. While the earlier projects had provided separate rooms for various residential functions, the final design is based on the concept of a continuous 250 square metre living space which accommodates all the collective functions... The undivided living space of the luxury villa had returned back to the idea of undifferentiated living space of the traditional Finnish peasant house.
At the same time Aalto had shaken all modernist precedents off his shoulders and reached a scheme which was relaxed and open enough to incorporate all his variations, improvisations and whims. Whereas the idea of continuous space of modern architecture had usually been purely an ideal of architectural space, the spatial character of Villa Mairea seems to have pantheistic and metaphorical overtones – Aalto’s flowing... The building is bound with the notion of nature on many levels: the use of natural materials and textures, forms suggestive of natural processes and rhythms as well as explicit metaphors of nature. �NzFZJj�_�C��X<[_[[[��o�x�G� �p�̼���������oV�L�9�.��� �>�����y߂�v#5��Sp������PS ����O%��D2�Bg473�I "�BU��4V��UTW���;)Y`D�������J��EzIqNک��ہŐ�Z���-��N�)Ȼ�������e���ۇ/�~�Tx7���7XR�ѕ/n�f�7�y�ܼ���K��s�K�Tv��b��Ç'+���m�6������?�gP�N ��]Z���ϝ=R �ܤ�րA�� ���._* ;�b��C��A��mmn+�́ ��X���DomW�!#*� �RQ�'���o�}�6�B�� �\��r�F�2$|>`��X������B~+��pڹ�2�V��Bm���7I;�\����H��h$2[G"�H�fG�q�l�p�:Ś�����Ǫ�I�mt���3>�p"ߊǏ��`����5554��kk�k�t�� �m���B ��"�B� �2�����ƪۮ�P!4� �JbT����n�Z�a0���͠�1��v3̼ݪ7�-&�� �Ig��i�� f��d�B��&��}�C�ã#�cS�N�<����y��`4���Ñ�H���� ����=3�uL�ON�~��Am%/��%?p��x�]^njc�=���V;��03 ����`Τd��m�_�mǟpm&�[��?�� ����)9%dG/��#���������N�,"/PPX�i�� ǒ������ Rn ��y���#7�~彊*߈�Vc� h��L#�p d���{����o�w33����0�&_nom<� R���bN���nb����=��"̴�܂����̵���9�b��W��w.��,��k��}ق�K J.^�s��˟~y>7�����M���@�hJ��W�7w�?��I����R(�����~lD ��x�Z0�!u�g�'�0Y��B�R�ٖ�R�Z�9��\!�`7s[9L<�/F7��5�R*� %R��R��n�s>{8`�V��0Ib�L� J�\�Uk �$�������j �c1�eb6�A{;�5�*e*D��������Oo�0�L� K��h*���%v�L:�Ka�nT�dF,���L;�ݑ��x��~��R��6�b�j�ĺ�:�ֈ(E���`1(*���јl�P�7�[^Y�:�V="��:�V�6t�*�T>�Щ�FT�5�z�... ��#ɺ!��w�ff��ܵ���w�ݵ'�Hп+~���2�r��sN����f\P�6����쌌�������3�R/�j�;W����Xl3����߯�������>�;>>8���)�����?|9���ޅ�`ei�g�n�=. ߂��QJzNnq9z�v]T]uj���D��I�fj�NL \EM=���U��j*��~S���defU�v��k��Ki�E�g�������� �0��C���'9��zp�9E%���S�/C�y.�&�<���S�rEnm���St��ceֺ����R�p�@ ���|��z���AH�� " �@����vv�;^öc���`~x�;�y�'���y�ޓ�����6�ȉ¿{',�̜�?�;s��Od�gf�� �~�i{�Qqsbez6����߾�~���b�+(���h,�Fb ���@�����������oNL�3����K�����ᩜ�d��Nd�2��S�*�L�$�˫�ē�_E&����{�9'��g��)���g��/�I� ;\��Ϗ�g�ħ��;A�7�"#5=7�/�?�]fIM5�����Y��Ă�V]<�S���}]ʮ�eU1KKJ���&��2R���[�k�����$F�A�1�.�l�������3��pק��lF�Z|�2#�@nNV�}m�_�#s����+k�Eq����f�|-�G �rXWΟ��@��/����������wy�����'?���������T<���&�͊j1�{46f����`����3��R w���W�(d�-\���+��% D�oin� ˙��曗��~�X�P�j��l�{FW�/t�PT�P j�Z�BT -��u�������&��H8�v/���"�R.D��h�Y0��$�t7 wHE q3��iS+a ��'l �j�jԊɤb�H��4z�������l�N�!;�''�"�VV>�~ۃNj����0��+*��B���"Ԃ��:�ޚ������&��/6�=�"++��^�h����4Mf��mf���hU�� \�� =�i�Xe�U7 �.��E�p�ؒ� �$H�I�O�N�"L6�l@�� "���hx=]��n����`��w##��'����ٹ��H��F 9������ؤ�}�� ��S�+���aT �������WgO�.8q��s���2C��<ԇ�����C��ܤ����0���O����>Zȶ��O���|���d �q8���wn�����C��O�0��}�/�����̂c��eh��L��C켔��C�g�M"��&PY�f5r�XUM�u5��6��JJJ++**+��+K������|P���XK���Е��ց}�w���{���S}}��Qh:S� �3����}�3�rss���[�"���fPp���+�L����j$�x� 633��&���n�����v���b?��7����ׯ*���0TkU�ⶮ�m5*-�Y(Z"rѓ=2���P̄bz�T��,��b!W�RHT*�R�VUU5w���� 7��L��h��8G��ݧ��~fF$bD�P���v�&�N�י�D$�K3E�}c=�J�mCߐj��̈́�1�NC�p�&��E,�nn��Tr�B+�<���!��B,j�`k��_�{o��o��Ѝ�o��+M����� �³�������3��T���d$%�2�gef���۳g��{w>�?�����v}�g_������ʃ���Rl+:��79m?�����?��w�t�y&����탩Ь&���켫��nmm �=v�Pnr���e�-̇�ܞ�... ZD3W�)5�Sn��s���ʀc ����̤�X�f�A����� .�Q���&�;F�&��]�FT�H�x{�{R�������*:�d��e�Cl���[�*:���H��U5�T_�mhh`K�����U� S��J�� ��JR ֻ�jw�9l0�&�M�f�:L���Q�\Z���_���@��'�j��6� � f T]�ͤ��� {���j��'V�͎�慛���V�����������Q���ə�Y���b`qyqE��HM8O"%���!��E�"�"p�&������ m=X_�#:��8Bt,��XRbJzF�gY�g��*[?�ɿ�v$��I�zoow����iƅꅉ��t������q5��LN;�wI��ON�| >�TlZm�àP��� �DU5�����RZF�PhT ���ST�����[H��H�����V��Vh{g� ���L�L���폕�����f��b����io�Ѥ�iɉf����S+������Q]��� .l��x������Pv-t�����~W����>��|������~����ý��N��)�*�Y��:F�;�R�L�r�~�iҬP+$:���jj��Ӡ41r����� H��W�\�����7s�O�@�D�T&��p�֡���1K����Y<�D�+�&�pb����ㅩ��U����E%4�k���������;ۏzr�?==�������� �m���&&���ȫ���v~�����o�!r�J�j�j�����@4FGZ�5X<<��J!d��d ����s����B)/ʦ0�T�R��,�'�m����N?��� W(��a�+a���]ޭ�#ML��#`qDB�B��h|���+A���Z ���jԖ���ww������T 1����,�D)W*���^�j-�=�a2Z�&��_����F8FQ�$z�Ѣ:�Ũ1@�0�_�Q�`�� �=����#u ��M�v��f�����s���{�544��?+pᑑa�M��j��""B���Â�C>ZԞ�@����Nh�������s {�\HIzLPhdt|�����i'��KV�ݙB�G�pc�뛛�oR�&�)���Kp�#;X=8��c�����E�Ff:�=�Q��;i���ь�E _�WPx�����_\^^F,ɾ�u��ʕ�����._�(L ��{wa������lllDHXp�`~���*�9t�_�@�n�[r���L�C�bcr��m> �">A���d�wӳ8��`{������c�($"�\^\A(�b�J��Qh�J�+o�w��z����G�R5�R.Eb�$�o fwt�o/t�X� C ��M�ýMV%�#��X<��䂴�m^W�N���<�H���(�64*C]s-�Sr�l)�Z5�̕�('Pt�C���|~�����y�c��>0����hkoD�J�����&gn/�������-k�ciF��x9���e{ T�e�e�J:���*����R�Jm09�f=�T�����l�����~h���ގZY�Z�QKe�j _]�bR�e*\�-#�l�#���z��a:���K��&B �表�Q`�A1j@�{Je�0��3=�f��[m...
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Professor Maire Gullichsen (née Ahlström) Made Significant Contributions To The
Professor Maire Gullichsen (née Ahlström) made significant contributions to the promotion of Finnish visual arts, design, and architecture. She was a visionary and a driving force behind several key institutions: the design shop Artek, the Free Art School, the Modern Arts Association, and Galerie Artek. Each of these organizations played a crucial role in the rise of Modernism in Finland. Artek, e...
Maire Gullichsen Co-founded And Studied At This School. Together With
Maire Gullichsen co-founded and studied at this school. Together with Maire and Harry Gullichsen, Aino and Alvar Aalto designed some of Finland’s most renowned modern architectural and design works. These include Villa Mairea, the Gullichsens’ home in Noormarkku, as well as industrial and residential buildings for Ahlström Ltd in Sunila, Varkaus, and Kauttua. Notable design pieces from this collab...
From The 1960s Onward, Maire Gullichsen Was Instrumental In Efforts
From the 1960s onward, Maire Gullichsen was instrumental in efforts to establish a modern art museum in Pori. The Pori Art Museum, founded in 1981, houses the Finnish art collections of the Maire Gullichsen Art Foundation. In the same year, Maire Gullichsen was awarded the title of professor. Maire Eva Johanna Gullichsen (née Ahlström, later known as Gullichsen-Nyströmer, 24 June 1907, Porin maala...
Gullichsen Was The Daughter Of Finnish Businessman Walter Ahlström. Gullichsen's
Gullichsen was the daughter of Finnish businessman Walter Ahlström. Gullichsen's grandfather was Antti Ahlström, one of Finland's most influential and wealthiest 19th century businessman. She studied art in Helsinki and in Paris between 1925 and 1928 and got married in 1928 to Harry Gullichsen, a Finnish director of Norwegian descent working at the Ahlstrom company. Maire and Harry Gullichsen were...
One Of Alvar Aalto's Most Important Works Is Villa Mairea
One of Alvar Aalto's most important works is Villa Mairea in Noormarkku, designed for Harry and Maire Gullichsen in 1938. Today it is one of the internationally best-known architectural sights in Finland. One of the key rooms of the house is Maire Gullichsen's private painting studio on the upper floor, with a view over the main approach to the house. During her late years Gullichsen was intent on...